![]() ![]() We covered the HomeKit integration in more detail in our review of the HomeKit-enabled Hue Bridge, so we won’t rehash those details other than to say that it works in the same manner as any other Hue multicolored light, and you’ll be able to not only turn it on or off using Siri commands, but also set its brightness and adjust its color in the same manner.Ī button on the back of Hue Go allows you to power the device on or off, cycle through seven different preset lighting modes, or cycle through the various colors manually to select one you like - a nice touch which allows Hue Go to be adjusted without having to reach for your iPhone. It will sync to HomeKit with the same name that you’ve assigned to it in the Hue app, and can be controlled directly using that name, or as part of any scenes you’ve included it in that have also been synced to HomeKit. Like the mosh pits and dance floors that have thrilled to his music over the years, Skrillex knows that perpetual motion is crucial.If you’ve got the new HomeKit-enabled Hue Bridge, the Hue Go can also be controlled via HomeKit and Siri in the same manner as any other Hue-enabled bulb. ![]() The joke is that 2005 was barely the beginning for Skrillex, but the same could be said for Quest for Fire this week he announced that yet another album, Don’t Get Too Close, is on the near horizon, complete with a title track that features Moore on vocals. “This is the culmination of all your hard work … you were living on people’s floors and now here you are,” an excitable reporter yaps to Skrillex - then, Sonny Moore - and Pete Wentz in “Warped Tour ’05,” a found-sound interlude near the end of the album. Pop songsmith Starrah (whose co-writing credits include Rihanna’s “Needed Me” and Camila Cabello’s “Havana”) and electro experimentalist Four Tet pop into the DJ booth for the house throwdown “Butterflies” Missy Elliott salutes her legacy over the buzzin-fly-and-bass beat of “RATATA,” which spins out of a line from her still-futuristic-sounding 2002 single “Work It.” The British grime MC and producer Flowdan offers the most satisfying match for Skrillex’s world-swallowing beats his low-slung voice towers over the ricocheting rhythm of the Fred again.-assisted “Rumble,” while his quick rhymes provide a counter to Skrillex’s stabbed synths and Beam’s laconic toasting on “Hydrate.” The NBA Shouldn’t Have Creepy Karl Malone at All-Star WeekendĪs with Recess, Skrillex has wrangled a constellation of guest stars for Quest for Fire the way they move in and out of each song enhances the album’s grab-bag feel. “TOO BIZARRE (juked),” a sped-up revamp of his 2021 Swae Lee and Siiickbrain collab “TOO BIZARRE,” goes into hyperdrive on its julienned chorus, while the thumping collaboration with Palestinian composer Nai Barghouti, “XENA,” is propelled by percussion that sounds like it was a thrill ride even before it made its way to Skrillex’s board. ![]() Listening to Quest for Fire, though, shows how Skrillex has continuously expanded his sonic palette through his productions, remixes, and other work, particularly when it comes to finding beats. ![]() Skrillex’s second album arrives as he occupies a fairly singular place within pop - few artists out there could credibly announce a surprise show at Madison Square Garden in New York. He even reunited with From First to Last, the Warped Tour denizens he fronted at the height of the MySpace era. He’s kept busy, releasing a steady stream of singles and collaborative projects, and producing tracks for chart-toppers like Justin Bieber and Ed Sheeran, as well as next-wave artists like PinkPantheress. It’s been nine years since Sonny Moore released Recess, his first album as the EDM mastermind Skrillex, and while Quest for Fire is technically his second album, he’s hardly been away from the spotlight. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |